As of June 2026, Film and Video Editors has an AI-exposure score of 61/100 (Elevated exposure) on the AI-Safe Careers index, blending O*NET tasks, the Anthropic Economic Index, the Penn/OpenAI study, and BLS data. This is an estimate of task exposure, not a prediction of job loss.

AI Exposure Score for

Film and Video Editors

61/100
Elevated exposure
LowModerateElevatedHighVery High

More exposed than 71% of the roles we track. Median pay ~US$75,420. About 3,600 projected openings a year (BLS 2024–34 — growth plus replacement).

Pay & demand figures are US medians (BLS, in USD) — your local figures will differ. Your exposure score applies broadly.

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How you compare to similar Arts, Design & Media roles

Film and Video Editors (you)
61
Audio and Video Technicians
61
Media Technical Directors/Managers
59
Special Effects Artists and Animators
59
Media Programming Directors
63
News Analysts, Reporters, and Journalists
64
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Your tasks, by AI exposure

Automatable
  • Conduct film screenings for directors and members of production staffs.
  • Record needed sounds or obtain them from sound effects libraries.
  • Verify key numbers and time codes on materials.
Augmentable
  • Confer with producers and directors concerning layout or editing approaches needed to increase dramatic or entertainment value of productions.
  • Set up and operate computer editing systems, electronic titling systems, video switching equipment, and digital video effects units to produce a final product.
  • Edit films and videotapes to insert music, dialogue, and sound effects, to arrange films into sequences, and to correct errors, using editing equipment.
  • Piece sounds together to develop film soundtracks.
  • Mark frames where a particular shot or piece of sound is to begin or end.
  • Manipulate plot, score, sound, and graphics to make the parts into a continuous whole, working closely with people in audio, visual, music, optical, or special effects departments.
  • Cut shot sequences to different angles at specific points in scenes, making each individual cut as fluid and seamless as possible.
  • Trim film segments to specified lengths and reassemble segments in sequences that present stories with maximum effect.
  • Organize and string together raw footage into a continuous whole according to scripts or the instructions of directors and producers.
  • Review assembled films or edited videotapes on screens or monitors to determine if corrections are necessary.
  • Supervise and coordinate activities of workers engaged in film editing, assembling, and recording activities.
  • Review footage sequence by sequence to become familiar with it before assembling it into a final product.
  • Select and combine the most effective shots of each scene to form a logical and smoothly running story.
  • Determine the specific audio and visual effects and music necessary to complete films.
  • Program computerized graphic effects.
  • Discuss the sound requirements of pictures with sound effects editors.
  • Study scripts to become familiar with production concepts and requirements.
Durable

No durable tasks identified for this role — its real, individually-assessed tasks consistently read as augmentable (85%).

Safer adjacent roles

Editors
80% skills overlap · High exposure · ~US$77,920
67
Producers and Directors
72% skills overlap · Elevated exposure · ~US$90,360
55
Special Effects Artists and Animators
64% skills overlap · Elevated exposure · ~US$102,030
59
Desktop Publishers
56% skills overlap · High exposure · ~US$55,290
66
Media Technical Directors/Managers
48% skills overlap · Elevated exposure · ~US$90,360
59
Audio and Video Technicians
40% skills overlap · Elevated exposure · ~US$58,100
61
Sound Engineering Technicians
40% skills overlap · High exposure · ~US$73,130
64
Graphic Designer
40% skills overlap · High exposure · ~US$58,910
63

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Important: This is an estimate of AI exposure, not a prediction that your job will disappear. It is designed to help you understand how your role may change and improve your career resilience.